New Web Site : dhyanabeaumont.co.nz

My new Websites are :

• http://anudhyana.co.nz
• http://dhyanabeaumont.co.nz
  

Other Sites with my Media

• http://www.youtube.com/user/anudhyana/videos
• https://vimeo.com/anudhyana/videos
• https://www.facebook.com/dhyana.beaumont

This blog research site was parked in 2007.

My other Links are for Raw Food & Community Environmental Art

• http://livefoodcafe.blogspot.co.nz/
• http://catchmentcommunity.tumblr.com/

potential practitioners urls

http://greenmuseum.org/content/artist_index/artist_id-31__nosplit-z.html
Stéphan Barron

http://www.greenmuseum.org/content/artist_index/artist_id-92.html
Mark Fischer
Fischer's Aguasonic.com
Wavelets on Interspecies.com
Using computer visualization software, Mark Fischer transforms mysterious underwater calls of cetaceans (whales and dolphins) into "wavelets": visual readings of the sounds' volume, harmonics, frequencies and rhythms.

http://rhizome.org/art/by_active_terms.php
ArtBase/active terms

dhyana starting links (nodes)

Cary Peppermint - last artist checked on
http://www.greenmuseum.org/
http://www.greenmuseum.org/content/artist_index/artist_id-71.html


http://rhizome.org/preferences/welcome.rhiz?referral=

http://www.greenmuseum.org/content/artist_index/artist_id-86.html
Lukas Felzmann

http://www.greenmuseum.org/content/artist_index/artist_id-81.html
Newton & Helen Mayer Harrison

http://www.greenmuseum.org/content/artist_index/artist_id-101.html
Isabelle Hayeur


http://www.greenmuseum.org/content/artist_index/artist_id-91.html
Ichi Ikeda
http://www33.ocn.ne.jp/~waters/2000-2003E.html
http://www33.ocn.ne.jp/~waters/PRojects.html
The remarkable Osaka-born artist Ichi Ikeda, considers water to be Earth's most precious resource and the medium which will help deliver our planet safely into the future.

http://www.greenmuseum.org/content/artist_index/artist_id-98.html
Patricia Johanson

enter3.org - sublink=http://www.mutamorphosis.org/

Home » FESTIVAL ENTER » exhibitions
http://enter3.org/index.php?lang=en&node=110

artists:

Andrea Polli
http://ima.hunter.cuny.edu.
Polli's work addresses global systems, the real time interconnectivity of these systems, and the effect of these systems on individuals. She currently works in collaboration with atmospheric scientists to develop works for understanding storm and climate information through sound (a process called sonification). Recent works include: a spatialized sonification of detailed storm models; a series of sonifications of actual and projected climate in Central Park; and a real-time multi-channel sonification and visualization of weather in the Arctic.

1n0ut: Robert Praxmarer & Reinhold Bidner
http://www.1n0ut.com/
1n0ut is an artist collective that works both collaboratively and individually on a variety of video and interactive art projects with a focus on generating synesthetic experiences. The artists mix analogue and digital processes in their work to achieve a perfect aesthetic blend which can be understood as a reflection upon all of our lives. Cross-disciplinary by nature, their approaches reach from a self programmed real-time video montage system based on Praxmarer’s ongoing PhD work to the charming photo stills and composed video works from Bidner. Both like to think in shades of grey - between black and white - which gives the audience an experience of fuzziness, fault and, despite algorithmic perfection, harmony.

Adam Zaretsky
Adam Zaretsky is a Vivoartist working in Biology and Art Wet Lab Practice. This involves biological lab immersion as a process towards inspired artistic projects. His personal research interests revolve around life, living systems and interrogating varied cultural definitions that stratify life's popular categorizations.

Antony Hall
http://www.antonyhall.net,
he is a founding member of the 'Owl Project' (with Simon Blackmore & Steve Symons).

Beatriz da Costa
Associate Professor of Studio Art, Electrical Engineering and Computer Science, University of California Irvine, I www.beatrizdacosta.net,
beatrizdacosta@earthlink.net.
Beatriz da Costa is an interdisciplinary artist and researcher working at the intersection of contemporary art, life science, engineering and politics. Her work takes the form of public participatory interventions, locative media, conceptual tool building . da Costa has also made frequent use of wetware in her projects and has recently become interested in the potential of interspecies co-production in promoting the responsible use of natural resources and environmental sustainability.
Other issues addressed in her work include the use of emergent technologies to investigate context specific configurations of social injustice, the politics of transgenic organisms, and the social repercussions of ubiquitous surveillance technologies. Through her work da Costa examines the role of the artist as a political actor engaged in technoscientific discourses.

Boo Chapple
http://corpuseclectica.net,
boo@corpuseclectica.net,
she is an artist and researcher whose work focuses on processes of transformation that operate at the boundary between life and non-life, bodies and culture.
residency at the SymbioticA art and science collaborative research laboratory,
exhibited : Ars Electronica, the Beijing Biennale of Architecture, and at the San Francisco MoMA.
Her essay ‘Journeys to the Other Side of the Navel’ pub in the book, ‘Art of the Biotech Era’.

Andrea Polli

http://transition.turbulence.org/blog/2007/10/18/aer-by-andrea-polli/
http://www.andreapolli.com/
T2 -installation at Govett Brewster Gallery, NZ
T2 is an artistic exploration of real time ocean activity using wave and wind data*, webcams from the West Coast of the US and East Coast of New Zealand**, and a live global ocean conservation news feed.***
In T2, real time wave and wind data is translated into sound and animation. Webcams show a synchronous time lapse animation of recent coastal activity updated with new images every 30 minutes and a scrolling rss feed presents breaking news
*wave and wind data from Port Taranaki, New Zealand
**webcams from Pt Chev Tamaki New Zealand and San Luis Obispo California
***rss feed from oceanconserve.org

http://turbulence.org/Works/heat/index2.html
Heat/Heartbeat

The Queensbridge Wind Power Project
presents a vision of a future when meeting energy needs can enhance the beauty of a city by investigating how clean, renewable wind power could be integrated into the landmark architecture of the Queensboro Bridge
example of her teams:
Project conceived of and directed by: Andrea Polli
Video directed by: Morgan Barnard
Video editing and animation by: Morgan Barnard
Computer models by: Markus Maurette
Featuring an interview with Dr. Cynthia Rosenzweig Senior Research Scientist, NASA Goddard Institute for Space Studies and leader of the Climate Impacts Group

Datareader
datareader[OSX].sit
macintosh stuffed archive including datareader object, source code, sample data files and MAX/MSP help file
datareader.pdf
c++ source code (for macintosh version)

Intuitive Ocusonics: Eye Tracking Musical Instrument Interfaces
"In Retina Burn, soundwaves generated by the sun are manipulated by movements of the performer's eye, thereby allowing the listener to audibly 'view' the sun without the usual risk of damaged vision. The composition's low hums and fluttering sine waves combine with percussive blinks and squints to gradually move through a series of sonic dilations; a feast for the ears prepared by the eye."

"AER" by Andrea Polli
The artists featured in this greenmuseum.org Aer project look critically at the issue of air quality and use various methods to raise awareness of the issue among the public.

http://artport.whitney.org/gatepages/may04.shtml
http://www.nysoundmap.org/

transition.turbulence.org links

http://transition.turbulence.org/blog/tags/livestage/

http://transition.turbulence.org/blog/2007/11/08/silent-dialogue-tokyo/#more-5861
Live Stage: Silent Dialogue [ Tokyo]
This exhibition, then, focuses on this “invisible communication.” The works presented explore our relationships with the natural environment through making it visible or audible, based on biological information, thanks to uses of biosensors. The exhibition also uses computer simulations of the natural environment in an effort to explore new conceptions of the environment these technologies reveal.

http://transition.turbulence.org/blog/2006/05/19/solar-radio-station/
SOLAR RADIO STATION
LIVE INSTALLATION: Sat + Sun, May 20 + 21, 2006, 19:00 - 21:00; The Riga based group Clausthome and VJ Martins Ratniks (F5/RIXC) will perform live in the Solar Radio Station. The live audio stream from the VIRAC radio telescope in Irbene, carrying data from the sun and from space, will be electronically enhanced by Clausthome and interpreted visually by VJ Martins Ratniks.

http://transition.turbulence.org/blog/2007/11/07/a-mobile-elegy/
Calling the Glacier - A Mobile Elegy
an installation by Kalle Laar
A Mobile Elegy is a direct mobile phone connection to a glacier. A microphone in the heart of the glacier picks up it’s voice and transmits it to the caller.

http://transition.turbulence.org/blog/2007/10/22/grounding-work-art-the-environment-boston/
Grounding Work: Art & the Environment [ Boston]
Grounding Work, A Symposium on Art & the Environment :: November 9 - November 11, 2007 :: Massachusetts College of Art + Design,

http://transition.turbulence.org/blog/2004/10/28/geographic-doppelgangers/
Geographic Doppelgangers
(linked to) http://www.c5corp.com/research/demtool/index.shtml

http://transition.turbulence.org/blog/2007/10/22/live-stage-anne-roquignys-wj-s-luxembourg/#more-5605
Live Stage: Anne Roquigny's WJ-s [ Luxembourg]

linked to wj-s (web performance)
WJ-S is a software and a flexible public device for web performances allowing WJ-S (webjays, artists, web addicts and web mutants) to play live with the full scope of content available on line. WJS is an immersive experience in the flux

transition.turbulence links

a- data
http://transition.turbulence.org/Works/BondingEnergy/info.html
Bonding Energy - using java
Bonding Energy is part of Cross Current Resonance Transducer, a collaboration between Douglas Repetto and LoVid (Tali Hinkis and Kyle Lapidus).
Every ten minutes each Sunsmile device takes a reading from its solar panel and sends the data to the turbulence.org server. When a viewer visits Bonding Energy they are presented with a live visualization of the data collected from the seven devices. Data from each device is represented by a wedge in an animated circle.

http://transition.turbulence.org/blog/2007/07/24/live-stage-mary-bates-neubauer-los-angeles/#more-4749
Live Stage: Mary Bates Neubauer [ Los Angeles]
Mary Bates Neubauer: New Work ::
Recent research into the visual transcription of numerical data streams involves collecting historical and near-real-time statistics from the various instruments which are constantly recording details of our surroundings, such as climate, solar activity, water levels, traffic flow, energy expenditure, and population flux. Incoming information is translated in several steps, from columns of numbers to 3D visual patterns.

http://transition.turbulence.org/blog/2007/10/30/seeker/#more-5722
Seeker - by Leon Cmielewski & Josephine Starrs (with programming by Adam Hinshaw)
aim: to explore migration, territorial boundaries, conflict commodities and human displacement.


http://transition.turbulence.org/blog/2007/11/02/can-art-be-a-mediator-between-art-and-climate-science/
Can Art be a ‘mediator’ between Art and Climate Science?
links to:http://www.weathertrouble.net/artists.html
trouble with the weather a southern response

http://upgrademtl.org/archives/Oct26b07.htm
Sonic ecology & the city

http://transition.turbulence.org/Works/shiftspace/about
Ten development grants, of up to $2,000, will be granted to individuals and collectives using ShiftSpace as a platform

http://transition.turbulence.org/blog/2007/11/01/live-stage-the-status-project-nottingham/
Live Stage: The Status Project [ Nottingham]

http://transition.turbulence.org/blog/2007/10/17/vectors-journal-the-red-project/
The RED Project: Rendering Electromagnetic Distributions
Users of The Red Project are presented not with an indexical rendering of actual wifi signals (as if such a thing were possible!), but with a prediction engine which invites speculation, interpretation and resistance.

http://transition.turbulence.org/blog/2007/10/09/art-against-information-case-studies-in-data-practice/
Art Against Information: Case Studies in Data Practice

http://transition.turbulence.org/blog/2007/10/03/database-aesthetics/#more-5323
Database Aesthetics: Art in the Age of Information Overflow :: Victoria Vesna

art meets science

links to add

http://www.ecoarttech.net/
EcoArtTech formed in 2005 with the aim of working with digital, networked, and sustainable technologies and contemporary environments to create art about the environmentality of modern life.
Cary Peppermint and Christine Nadir formed EcoArtTech in 2005
with the aim of working with digital and sustainable technologies and contemporary environments to create art about the environmentality of modern life. As the name of our collective suggests, we are concerned with the intersections and exchanges between the categories and definitions of nature, wilderness, technics, and technology.

http://www.landviews.org/links.html

http://www.ecoartspace.org/projects.html
ecoartspace has been a project of the Social and Environmental Entrepreneurs in
Los Angeles since 1999 - Founded by Tricia Watts

http://www.greenmap.org/greenhouse/

http://www.groundingwork.org/participants.html
Jane Marsching
www.janemarsching.com
Digital media artist, Jane D. Marsching's current project, Arctic Listening Post, explores our past, present and future human impact on the Arctic environment through interdisciplinary and collaborative practices, including video installations, virtual landscapes, dynamic websites, and data visualizations, all of which foster emerging forms of participation and social engagement. Her upcoming work brings together scientists, architects, and scifi illustrators to imagine what it will be like to live at the North Pole in 100 years. With Mark Alice Durant in 2005, she curated The Blur of the Otherworldly: Contemporary Art, Technology, and the Paranormal, at The Center for Art and Visual Culture, Baltimore, MD;

art and tech:
http://www.eyebeam.org/
http://www.eyebeam.org/engage/engage.php?page=exhibitions&id=41
Produced at Eyebeam: Remapped Realities

roy.ascott -23 nov links

roy ascot
artist who works with cybernetics and telematics
http://en.wikipedia.org/wiki/Roy_Ascott

Roy Ascott, -President of the Planetary Collegium, University of Plymouth; Visiting Professor, Design|Media Arts, UCLA. roy.ascott@btinternet.com.
(potential starting point to search)
Formerly: Dean of San Francisco Art Institute; Professor for Communications Theory, University of Applied Arts, Vienna; President of Ontario College of Art. Exhibited at the Venice Biennale, Ars Electronica Linz, Milan Triennale, Biennale do Mercosul, Brazil, European Media Festival, and Electra Paris, Founding editor of Technoetic Arts. Has advised media art organisations in Europe, Australia, Brazil, Canada, China, Japan, Korea and the USA, as well as the CEC and UNESCO. Convenes the annual Consciousness Reframed conferences.

Abstracts
Ascott, Roy - Terror Incognito: Steps toward an Extremity of Mind
http://www.mutamorphosis.org/index.php?lang=en&node=120&catid=108&id=17

Reference texts
http://www.mutamorphosis.org/index.php?lang=en&node=115&catid=104&PHPSESSID=ffe6de0c127ec14a70f76ebd88025085
Don Foresta - MARCEL: a Tool for Art and Science Collaboration
Louis Bec - Extreme Environments
Roger F. Malina - Statement of Chair Leonardo OLATS and ISAST

www.planetary-collegium.net